盲目的丈夫们
影片信息
- 状态：已完结
- 主演：萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming
- 导演：埃里克·冯·施特罗海姆
- 年份：1919
- 地区：美国
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：英语
- 更新：2025-02-02 00:43
- 简介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
- 904
关注公众号观影不迷路
扫一扫用手机访问
7.0
网友评分
86次评分扫一扫用手机访问
剧情简介
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
为你推荐
换一换- HD6.0姜河那/廉惠兰/徐现宇/
- 正片7.0阿拉斯·布鲁特·伊涅姆利/萨尔普·阿克卡亚/伯坦·阿斯拉尼/阿里坎·巴拉斯/埃斯拉·比尔吉克/普里德拉格·比耶拉克/伯克·坎卡特/Orkuncan/Izan/
- HD9.0高石明里/伊泽彩织/水石亚飞梦/中井友望/飞永翼/大谷主水/池松壮亮/前田敦子/
- 正片10.0莱昂德罗·哈森/加布里埃尔·戈蒂/西蒙·亨普/Karina/Ramil/Júlia/Svacinna/
- HD中字7.0基里安·墨菲//艾米莉·布朗特//马特·达蒙//小罗伯特·唐尼//弗洛伦丝·皮尤//加里·奥德曼//拉米·马雷克//卡西·阿弗莱克//肯尼思·布拉纳//戴恩·德哈恩//乔什·哈奈特//阿尔登·埃伦瑞奇//杰克·奎德//大卫·达斯马齐连//詹姆斯·达西//本·萨弗迪//亚历克斯·沃尔夫//古斯塔·斯卡斯加德//马提亚斯·施维赫夫//汤姆·康蒂//迈克尔·安格拉诺//大卫·克朗姆霍茨//杰森·克拉克//艾玛·杜蒙特//马修·莫迪恩//托尼·戈德温//斯科特·/
- 正片6.0马丁·弗瑞曼/珍娜·奥尔特加/巴希尔·萨拉赫丁/吉第安·艾朵/达格玛拉·多敏齐克/克里斯蒂尼·亚当斯/安德烈·威尔克森/雷·福利/特雷斯·海恩斯/
- 正片1.0比佛莉·德安姬罗/威廉·鲍德温/亚香缇/山德·贝克利/Ty/Pennington/卢卡斯·杰德·祖曼/克里斯塔娜·洛肯/帕翠西娅·维拉奎兹/伊莎贝拉·费雷拉/
- 正片4.0古天乐/周秀娜/刘冠廷/黄浩然/杨偲泳/张兆辉/黄诗棋/培永/蔡祥宇/关德辉/
- 已完结4.0吕雪凤/李梦/阳靓/张晓雄/林郁璋/李英铨/刘承恩/苏俊忠/李鸿其/郑人硕/李幼鹦鹉鹌鹑小白文鸟/李烈/邱志宇/吴美和/
- 正片9.0古天乐/周秀娜/刘冠廷/黄浩然/杨偲泳/张兆辉/黄诗棋/培永/蔡祥宇/关德辉/
- HD2.0古天乐/周秀娜/刘冠廷/黄浩然/杨偲泳/张兆辉/黄诗棋/培永/蔡祥宇/关德辉/
- 正片7.0吴慷仁/祝紫嫣/袁澧林/谢咏欣/许恩怡/许可儿/彭颂晴/周琳/朱栢康/巫建和/黄梓豪/各务孝太/
- 已完结4.0陈湘琪/陈以文/黄柔闽/丁宁/樊光耀/
- 正片10.0林逸欣/陈德烈/涂台凤/吴廷宏/高振鹏/吴敏/许泽钦/李嘉文/
- 已完结7.0黄鸿升/王阳明/蔡振南/高捷/孙鹏/颜正国/许孟哲/杨奇煜/倪子钧/莫允雯/陈孝萱/陈淑芳/张立东/夏靖庭/贺一航/王彩桦/钟欣凌/高盟杰/
- 正片9.0古天乐/周秀娜/刘冠廷/黄浩然/杨偲泳/张兆辉/黄诗棋/培永/蔡祥宇/关德辉/
- 正片3.0古天乐/周秀娜/刘冠廷/黄浩然/杨偲泳/张兆辉/黄诗棋/培永/蔡祥宇/关德辉/
- 正片3.0古天乐/周秀娜/刘冠廷/黄浩然/杨偲泳/张兆辉/黄诗棋/培永/蔡祥宇/关德辉/
- 已完结5.0赵丽蓉/葛优/梁天/李保田/丁嘉丽/六小龄童/史兰芽/申军谊/胡亚捷/谭晓燕/马晓晴/王丽云/
- 已完结8.0安迪·加西亚/兰斯·亨利克森/乌玛·瑟曼/格拉汉姆·贝克尔/凯西·贝克/凯文·康韦/约翰·马尔科维奇/佩里·朗/Nicholas/Love/迈克尔·奥尼尔/保罗·贝茨/鲍勃·冈顿/林尼·冯·多伦/布莱恩·拉肯/埃迪诺里奇/Thomas/J./Hageboeck/
- 已完结8.0张效禹/尹一刚/傅学诚/
- 更新HD7.0默罕默德·阿里·科沙瓦兹/法德哈·基德曼/Zarifeh/Shiva/侯赛因·拉扎伊/Tahereh/Ladanian/Hocine/Redai/Zahra/Nourouzi/Nosrat/Bagheri/Azim/Aziz/Nia/Ostadvali/Babaei/N./Boursadiki/科达·巴和·迪范/艾哈迈德·艾哈迈德·波/巴比·艾哈迈德·波/Mahbanou/Darabi/贾法·帕纳西/
- 正片4.0王志鹏/张明明/
- HD5.0徐帆/
- 正片6.0秦宇/刘海涵/彭晓璇/
- 正片5.0未知
- 正片6.0麦斯·米科尔森/杰西卡·施瓦茨/瓦莱丽亚·艾森巴特/托马斯·蒂梅/提姆·塞菲/苏珊·安贝赫/海克·玛卡琪/内尔·特雷波斯/托马斯·阿诺德/Karsten/Dahlem/Lena/Sabine/Berg/Corinna/Borchert/
- 正片3.0卡尔·马克维斯/亚历山大·拜尔/皮特·布科夫斯基/Stan/Steinbichler/西蒙·莫尔泽/Adrianna/Gradziel/科内利乌斯·奥博尼亚/Karola/Maria/Niederhuber/Joshua/Bader/Joseph/Stoisits/Marko/Kerezovic/Felix/Adams/Maximilian/Echtinger/
- 正片10.0皮耶尔弗兰切斯科·法维诺/Dea/Lanzaro/Antonio/Guerra/
- HD6.0罗曼娜·波琳热/文森特·卡塞尔/让-菲利普·艾科菲/莫妮卡·贝鲁奇/桑德琳娜·基贝兰/清水露/文森特·内梅斯/